Artist and engineer based in Paris, France, TremensS produces dark and immersive experiences, at the intersection of art, innovation, and cognitive science.
TremensS explores human-machine interaction through technological installations mixing light, sound, image and sculpture, with an almost occult aura.


2018.10.06 for Nuit Blanche Paris
La Géode, Cité des Sciences et de l'Industrie, Paris (FR)
(photo: Elise Gerosa)
Château Ephémère, Carrières-sur-Seine (FR)
commissionned by La Prairie, Switzerland, for their "Art of Caviar" international exhibition
2017.07 - 2018.02
Paris, New York City, Hong-Kong, Shanghai (West Bund Art Fair), Zurich
2015.05.16 for the European Night of Museums
Musée d'Archéologie Nationale, Château de Saint-Germain-en-Laye (FR)
Nuit Blanche
Pavillon des Indes, Courbevoie (FR)
Group show with Sarah Derat + Sarah Feuillas
2012.11.16 - 2012.12.21
La CLEF, Saint-Germain-en-Laye (FR)
2012.10.20 - 2012.10.27
EJM/La Petite Entreprise, Marly-le-Roi (FR)
An engineer by training, TremensS specialized early on in new technologies applied to digital art, sound and real-time interaction. He collaborated with IRCAM and La Kitchen.
In 2006, he founded ExperiensS, a design and engineering studio for digital art and real-time interaction, hired by contemporary artists (ORLAN, Arik Levy), the international music scene (the Dillinger Escape Plan, Kavinsky, Etienne de Crécy), brands (Lancôme, Guerlain, Nike) and institutions (French Ground Army, C2RMF: Centre for Research and Restoration of French Museums).
In parallel to this, he taught at Ecole Centrale d'Electronique Paris, Paris 8 University, and gave workshops about real-time programming in graduate schools.
In 2010, he crossed paths with the Dillinger Escape Plan, a hardcore band from NYC, USA known for their intense live shows. He joined them on four international tours, starting interactive lighting experimentations on stage, and later participated in the launch of Party Smasher Inc., Ben Weinman's label. He also started teaching workshops on new digital strategies for musicians and creatives to professional and amateur audiences.
Between 2010 and 2013, with ExperiensS, he worked in the shadow of many international tours, engineering custom technological setups (Justice, Etienne de Crécy), and producing stage/lighting designs for concerts (Kavinsky), events and festivals (Be Street, Converse, Adidas).
In 2013, he was offered a carte blanche to design "La Salle des Machines" (the Machine Room), a permanent installation dedicated to contemporary and electronic music at the Mupop, Museum for Popular Music (Museum of France), in Montlu├žon, France.
In 2014, he started focusing on his personal installation work. Since then, his work has been presented at Nuit Blanche (2014, Paris) and the Nuit Européenne des Musées (2015, at the French National Museum of Archeology), and shown internationally in Paris, Zurich, New York, Shanghai and Hong-Kong.
In 2017, he inaugurates ObediensS, the audiovisual label counterpart of ExperiensS, and announces 665.99, a live electronics project focusing on sound synthesis and spatialization in real-time.